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- 目錄
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Contributors - Introduction(Chris Berry and Feii Lu)
- 1.The Terrorizer and the Great Divide in Contemporary Taiwan’s Cultural Development(Sung-sheng Yvonne Chang)
- 2.Reflections on the Screen: Hou Hsiao Hsien’s Dust In the Wind and the Rhythms of the Taiwan New Cinema(Haden Guest)
- 3.A Borrowed Life in Banana Paradise: De-Cold War/ 39 Decolonization，or Modernity and Its Tears(Chen Kuan-Hsing)
- 4.Hou Hsiao Hsien’s City of Sadness: History and the Dialogic Female Voice(Rosemary Haddon)
- 5.A Myth(ology) Mythologizing Its Own Closure:Edward Yang’s A Brighter Summer Day(Liu Yu-hsiu)
- 6.Hou Hsiao Hsien’s The Puppetmaster: The Poetics of Landscape(Nick Browne)
- 7.Where Is the Love? Hyperbolic Realism and Indulgence in Vive L’Amour(Chris Berry)
- 8.Generational/Cultural Contradiction and Global Incorporation:Ang Lee’s Eat Drink Man Woman(Ti Wei)
- 9.On Tsai Mingliang’s The River(Gina Marchetti)
- 10.Compulsory Orientalism: Hou Hsiao Hsien’s Flowers of Shanghai(Nick Kaldis)
- 11.Another Cinema: Darkness ＆ Light(Feii Lu)
- 12.The China Simulacrum: Genre，Feminism，and Pan-Chinese Cultural Politics in Crouching Tiger，Hidden Dragon(Fran Martin)
- • Appendix: Filmmakers and Films
- • Notes
- • Index
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